A graduate of Metal Art & Design at Hongik University, Kyeok Kim’s creations, spanning jewellery, objects, and installations, have graced over 80 exhibitions across Europe, Asia and the USA. Notable showcases include the 2015 KOREA NOW exhibition at the Musée des Arts Décoratifs in Paris and Loewe Foundation Craft Prize in 2021.
After completing her jewellery studies at London’s Royal College of Art in 2006, Kyeok Kim initiated her exploration by examining the impressions and patterns left on the skin by her creations. From this outset, the artist delved into crafting pieces using copper wires intricately woven in crochet and coated with Korean lacquer (ottchil), following the ancient techniques from her homeland.
Kyeok’s mastery begins with her materials. Copper wire, traditionally associated with industrial and functional purposes, is transformed through an intricate process of crochet—a method she employs to create complex, lattice-like structures. Each wire is meticulously intertwined, forming patterns that balance strength and delicacy. Once these forms are constructed, Kim, applies layers of Ottchil lacquer, a traditional Korean varnish derived from tree sap. This labour-intensive process requires patience and skill, as multiple layers are built up, polished, and refined to achieve a luminous, durable finish that enhances the texture and form of each piece. These creations are then imbued with the depth and vitality of Ottchil lacquer, a centuries-old Korean technique that Kyeok reimagines for contemporary practice. The resulting works are suspended in time, at once organic and architectural, delicate and enduring.
This meticulous process, symbolically evoking the passage of time, forms the foundation of her ‘Second Surface’ collection. Within this series, vases and vessels drawn from traditional Korean forms, are envisioned as containers, encapsulating memories and past encounters. Kim thus gives life to light elements that by distorting themselves create unusual forms.