Philosophy:

As a designer and artisan, my craft primarily revolves around wood, with a particular
emphasis on Iroko wood. Known for its exquisite fine veins, Iroko wood offers a
distinctively exotic allure, especially when treated through the process of burning and deep
black oiling.

Sourced from Benin, West Africa, Iroko wood is locally known as the "king of the forest."
This wood, discovered during travels with my father amidst the rich history of Voodoo arts,
holds profound significance. It epitomizes a culture deeply entwined with nature and spirits,
shaping the essence of daily existence for the local populace.

Drawing inspiration from the revered Japanese technique of shou sugi ban, I enhance the
wood's surface by carefully charring it, followed by hand brushing with a copper brush and
sealing it with a protective layer of hardwax oil.

My design philosophy is a fusion of Japanese architectural principles and the raw beauty of
brutalist concrete structures. I find solace in the harmonious proportions of Japanese
design, which instill a sense of tranquility and balance to the observer. Concurrently, I am
captivated by the stark yet captivating silhouettes of concrete bunkers, structures designed
with singular purpose yet possessing a distinct aesthetic appeal that demands space for
admiration.

In my creations, I strive to achieve a delicate equilibrium between form and function. The
fine veins of the wood, while exquisite, serve to complement rather than overshadow the
overall shape, allowing for the creation of bold yet serene silhouettes. The decision to
utilize the burning technique on our wood stems from the desire to enhance the textural
relief, further accentuating the interplay of form, proportion, and texture.

Beyond Japanese influences, I draw inspiration from diverse cultures, particularly African
traditions, where craftsmanship is deeply intertwined with daily life. Across continents and
civilizations, I discern a universal language of proportion and shape, suggesting an
inherent human inclination towards aesthetic harmony encoded within our DNA. In my
practice, I amalgamate these diverse influences, infusing them with my own distinctive
forms and proportions to forge a unique identity that transcends mere signature, resonating
with the essence of my being.

Arno Declercq