![Kyeok Kim, Second surface Lighting 2, 2024](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/charlesburnand/images/view/c3a666dc6ed6748334bae6cd3edab045j/charlesburnand-kyeok-kim-second-surface-lighting-2-2024.jpg)
![Kyeok Kim, Second surface Lighting 2, 2024](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/charlesburnand/images/view/6b56ec005ee79d9a601973fa55a87c68j/charlesburnand-kyeok-kim-second-surface-lighting-2-2024.jpg)
![Kyeok Kim, Second surface Lighting 2, 2024](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/charlesburnand/images/view/a37e8b932d73ebfb66ef61b62e8c0397j/charlesburnand-kyeok-kim-second-surface-lighting-2-2024.jpg)
![Kyeok Kim, Second surface Lighting 2, 2024](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/charlesburnand/images/view/cdf696942a8643d39206bad413b74ed3j/charlesburnand-kyeok-kim-second-surface-lighting-2-2024.jpg)
![Kyeok Kim, Second surface Lighting 2, 2024](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/charlesburnand/images/view/ebf11308a7152a553000137821732a09j/charlesburnand-kyeok-kim-second-surface-lighting-2-2024.jpg)
![Kyeok Kim, Second surface Lighting 2, 2024](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/charlesburnand/images/view/6d64c8db51645c40da96e48e1b8f7fd6j/charlesburnand-kyeok-kim-second-surface-lighting-2-2024.jpg)
![Kyeok Kim, Second surface Lighting 2, 2024](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/charlesburnand/images/view/088d133d91992a531ed28eabd1c942e1j/charlesburnand-kyeok-kim-second-surface-lighting-2-2024.jpg)
Kyeok Kim
H. 70 7/8 x D. 19 3/4 inches
Further images
The design is derived from human skin cells, where Kyeok represents living skin through traditional knitting patterns. Kim’s aim is to make it appear like a layer of skin had been peeled off the body and hung in space. The patterns created by the light and shadows become at one with the work, creating a sacred atmosphere.
“I'm inspired by the way that skin cells divide to sustain themselves. Crocheting is a technique that takes a lot of time, so my work represents how my memories combine with the power of time. I want to represent infinity, repeating memory loops through the links of the nets. It's about triggering arbitrary meanings, where one memory calls another and chains of memorise form.”